new journal for new times
i don't live here anymore.
i'm learning to speak an unfamiliar language.
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i don't live here anymore.
i'm learning to speak an unfamiliar language.
I want to scream, "I won! I succeeded and you failed!" But I know the only reason I am this angry is because you were suppose to be here, with me, and you aren't. I miss you and you haven't called in awhile.
I was going to check my Facebook 'cause people'd commented on my photos and shtuff and then I thought, "I could search *'s name again and see that picture." And I thought, "No, that would be bad. Very bad. And not at all in the getting-over-him mode." But I knew that I'd do it anyway. But Facebook is down right now, so what can I do? I was getting jittery just thinking about looking up his name again, and seeing that picture. Good god.
On the upside, it's done wonders for other parts of my life - parts that I was sort of stagnant in. Like self esteem. Self image. Etc. And I really appreciate that. So, thanks *.
sigh
So confusing.
Oh my gawd. So emotional. Seriously.
I'm reading up on UCP because I have a job interview with them (my first real job interview in my entire life) and there's this video about sending old wheelchairs to "third world countries" and it has sappy music and it just made me cry. Good god.
So I really should be over this by now. Really. And then he happens to have Facebook - who knew? - and there's this tiny 1-inch picture of him. And I can feel myself blush.
Oh gracious.
(And, no: friending him is so not happening.)
Currently reading:
The three most influencial things in my life, with out a doubt, have been my parents, myself, and the library.
I feel a little bit lost and don't know what to grab on to. I don't even know how to start grabbing. I don't have the time to sit down and find all I need inside myself. Time, not as in minutes and hours, but time as in the place the situation. Nothing is steady. I'm still there where I know nothing will move if I quit trying to move forward. So I can't, right now, take that time for myself. Because, in the long run, it'll just get me more stuck. So I'm plugging forward all over again. Blindly, mostly. Tell me where I'm going. Tell me there is something secure in my future, something I can nestle into, something I can dig my feet into like warm sand, so I don't fall over when I try to reach up, look up. The ocean, we kept screaming, the ocean. We had no idea how close we were and the waves shocked us, the horizon so unclear against the sky we'd been seeing all day. The ocean, we screamed. And we rolled up our pants like we were in a movie or a song and I screamed out across the vastness and when we laughed it seemed so full, like it sucked up some of the vastness of the sea. But maybe that was false security, too. It all is, isn't it? It's all false security. Or temporary, at least. I've been spending evenings with someone I hardly know, talking about our minds and foot holds and choice and reality, and we've said how many times now that the past is true because it was and who are we to tell our younger selves what it's all about? The moment is not complete enough, it's not cinched quite tight enough, I can still move, wiggle, feel the air between me and the binding. And I might slip out, like wetwash watercolor, like it going outside of the graphite lines you marked. I need that tightness, that feeling of shoelaces tugged on tight, so I can feel complete and seamless. I've been trying to forgive my hands. At night I lay on my side in bed with aching knees and ankles and am afraid of what my hands have done. I try to tell myself that it was my brain, not my hands, who did it, who betrayed me all over again. But there's something so incomprehensively contradictory about that: my brain's betrayal of itself. I know we get a whole new suit of skin every couple days/hours/whatever, but what I've done feels like a tatoo: so deep it gets past even that, even that assurance of change, of shifting, of rebirth. Your metaphor reaches past me. Your mind more out of control than I could dream of. I drew hearts and ribs the other day at the library, feeling inadequate and uneducated with big anatomy books full of sickly-colored drawings, but my dull pencil and stolen pen came through and convinced me that I've got something still, even though it's as transient as everything else, as fluid, as untrue. So I drew severed veins and still hearts outside of the bodies they belong in but I couldn't draw the skulls. They were too commercialized, too bare. How do I tell you, sweet down to earth boy, that the inside of my skull, the pulpy matter that makes up my body, means as little to me as my art means to you. How do I explain that this flesh and skin and this great machine that gives me life feels so far away: distant, like the melding horizon, like the sky that became the ocean that we were so surprised to see. The ocean, we screamed. The ocean.
(Oh my god, I think I just wrote.)
(!)
My mom just emailed me the email she sent Grace/NBTSC asking where to send her $50 donation for the scholarship fund. My mum's been so stressed about money lately - they're moving in a couple months and haven't sold our house, haven't found a house in Walla Walla, and she hasn't found a job over there yet, either. This makes me cry. My heart feels big. It's her recognizing what camp has been. I feel like writing "I can't believe I'm not going this year" but I can - I can believe it.